

Joyce Stranger
Joyce Stranger, who died in 2007, wrote over 70 books. She was brought up in an
area she described as “borderline between town and country”, rich in wildlife, and
with “so many birds it was impossible to sleep through the dawn chorus.” Holidays
were spent in the British countryside, where she watched wildlife. Besides being
fascinated by wildlife, she also wanted to write, and eventually succeeded in publishing
an article (on animals) in 1949. Spending all her spare time with farmers and horse
and dog breeders, she continued to learn about animal behaviour, and soon realised
that many books on animals were simply wrong, being written by authors who did not
know enough -
Her first book, The Running Foxes, was a great success, and was followed by her first horse title, Breed of Giants. This was based on Jim Gould’s Lymm Shires, in Cheshire. He “gave me his cuttings book to examine, and everything that happened in that book happened over the years to his horses. I met them; wonderful black animals, that had triumphed over and over again in the shows.”
Out of the many animal books that followed, eight were horse stories aimed at the adult market, with two children’s pony books, and one Stranger than Fiction, being a fictionalised account of the life of Elspeth Bryce Smith, a Welsh girl paralysed by polio, who eventually recovered enough to ride (disguised as a man) as a jockey.
Many of her stories feature heroes and heroines who triumph over disaster, and this she thought was after her own childhood experience in World War II, when the family home was destroyed by a landmine in 1942. “The theme of them all has probably come from my father... So what, we’re alive. It’s the future that counts. We can’t change the past.”
In her later years, Joyce worked as a dog behaviourist, after she worked with her own dog, Chita. “She completely changed my direction, as she was so wild.... “A headache on four legs.” I had to learn to change her, and in doing so changed myself.” Chita became the 100th Pets as Therapy dog.
She knew her books were portraying a vanishing way of life, and hoped they would be “a small history of the men and women who worked so hard with so little financial reward.”
Joyce Stranger’s books were (and are) very popular, and so most titles were reprinted many times. This means the majority of the horse books are easy to find as hardbacks, and very easy to find as paperbacks. The exceptions are the children’s book The Wild Ponies, which is very hard to find indeed, and The Stallion, which can be expensive.
Sources:
PADS obit on Joyce Stranger
Joyce Stranger’s website: now only available via cache
Many thanks to Konstanze Allsopp, Susan Bourgeau, Dawn Harrison, Sue Howes, Fiona Williiams and Debbie Patrick for the pictures, and to Debbie for the summaries.
Breed of Giants
Hammond, London, 1966, illus David Rook
Viking Press, New York, 1967, illus David
Rook
Corgi pb, 1968, 1975, 1979
Josh Johnson breeds Shire horses, but then runs
into bad luck: his best horse has
an accident, and more
disasters follow, including foot and mouth on a nearby
far. Once
more though, he builds up his winning strain
of horses.
Zara
Harvill Press, London, 1970
Corgi, pb, 1972, 1975
Richard Proud cannot afford to buy the Thoroughbred mare Zara, but he does so anyway,
determined
that she will restore the fortunes of his stud, despite the best efforts of the
weather
and his reckless wife to stop her.






The Wild Ponies
Kaye & Ward, London, 1976, illus Robert Rothero
Many thanks to Pam Wakelam for the picture.
Khazan: the Horse that Came out of the Sea
Collins/Harvill, 1977
Firecrest (Large Print),
1978
Corgi pg, 1979, 1983
Tree of Life, pb, 2007
Debbie saves Khazan’s life after he is washed up on the Cornish coast. She fights
desperately
to keep him, and finds new friends along the way.
The January Queen
Michael Joseph, London, 1975
Corgi, pb, 1980
Chivers (Large Print),
1985
Kate Malone is spoiled and irresponsible. After she is responsible for a disaster
on her
parents’ farm, her mother decides she must stand on her own two feet, and she
is sent to
live in a cottage nearby. She buys January Queen, an in=foal Shire mare,
and with the help
of the January Queen’s former owner, Joe, she learns how to look
after herself and her animals.
The Stallion
Michael Joseph, London, 1981
Corgin, pb, 1983
Chivers (Large Print), 1984
After afrtist Rhea’s husband dies, she moves to the country and buys a stallion and a dog. More a
dog than a horse book, the stallion is kept elsewhere, and the story focuses on Rhea’s
developing relationship with her neighbours, and with her German Shepherd puppy, Witch, as
Rhea slowly overcomes her grief.
Lakeland Vet
Harvill Press, London, 1972
Corgi, pb, 1974
Dai Evans runs his practice single handed, but as pressure of work mounts, he finally
manages to find a partner.
The young man has a surprising amount to learn about life
in a country practice, and then there is his very full
home life, with his four children,
and the threat to the village from the new reservoir project...






Hounds of Hades
Michael Joseph, London, 1985
Joel inherits a stud farm from a relative he never met, but it soon becomes clear
that the stud was not
founded on honest endeavour. Joel reads his great uncle Joel’s
diaries, which describe his life
meticulously. Throughout his life, Great Uncle Joel
was plagued by guilt, and constantly refers to the
Hounds of Hades, who signify impending
doom. Joel realises they’re baying for him too, and that
he must discover the truth
behind his great uncle’s fortune.
Midnight Magic
Lions, London, 1991 (pb)
Mandy Hunt has lost her nerve after a bad fall, but she still dreams of a fabulous
black stallion called
Midnight Magic. Then the family move to Hunt Cottage, and
there is a black stallion grazing in the
meadow by the river. Some people call him
Midnight Magic...
Stranger than Fiction
Michael Joseph, London, 1984
Corgi, pg, 1985
Chivers (Large Print),
1986
Elspeth Bryce Smith, a Welsh girl, was paralysed by polio as a child before World War I.
She eventually recovered enough to ride. She was horse obsessed, and, disguised as a
man and calling herself John Grey, rode as a jockey -
accepted reluctantly in the 1970s.
Many thanks to Konstanze Allsopp for the picture.
Hound of Darkness
Dent, London, 1983
Corgi, pb, 1987
Raoul comes to the Welsh Mountains with his Arab stallion and a mare. Living in
the
highest point in the village, he finds his house becomes a refuge as the floods
come. Micky,
the Gipsy boy who works for him, has to ride for help, but will the
mythical Cafell, the hound
of darkness whose ghost haunts the mountains, protect him?








Also
Vet Riding High
Carousel, pb, 1981, 124 pp.
Severn House, 1983, 124 pp (laminated boards)
The horse content in this story is fairly minimal: the vet fulfils his dream of
starting a stud with a friend, and that’s
about it, but it’s still a good read about
life as a country vet.

Bibliography: pony books only
