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Jane Badger Books
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Lauren Brooke

The Heartland Series
 

1  Coming Home, 2000

2  After the Storm, 2000

3  Breaking Free, 2000

4  Taking Chances, 2001

5  Come What May, 2001

6  One Day You’ll Know, 2001

7  Out of the Darkness, 2001

8  Thicker than Water, 2002

9  Every New Day, 2002

10  Tomorrow’s Promise, 2002

11  True Enough, 2003

12  Sooner or Later, 2003

13  Darkest Hour,

14  Everything Changes, 2004

15  Love is a Gift, 2004

16  Holding Fast, 2004

17  Season of Hope, 2004

18  New Beginnings, 2004

19  From This Day On, 2005

20  Always There, 2005

 

 

 

Special Editions:

Winter Memories, 2004
Amy's Journal, 2006
Beyond the Horizon, 2007
Winter's Gift, 2008
A Summer to Remember, 2008

 

 

 

Heartland 1 - Coming Home
Scholastic - £4.49
Rating:  
«««

Heartland ticks teenage boxes: misunderstood teenagers; a girl who is the only one who can heal horses; lots and lots of improving horses; a relationship and gamuts of emotion. It features a tragic heroine, Amy, from a broken family, who lives with her mother. Mama runs a horse sanctuary and re-schooling facility called Heartland using horse healer methods, until, that is, she dies (she doesn't last past the first half of the first book) and Amy descends into dreadful grief, misunderstood by her family.

Not only is Amy misunderstood by her family, the books also have the constant of their equine rehabilitation practices being disapproved of (by a couple of deeply cardboard characters: Ashley Grant and her mother Val. Ashley fulfils the vital role in a teenage novel of bitchy girl who loathes the heroine). I hope succeeding books give the more traditional approach some credence:  in the first book, it's dismissed as the realm of the pot hunter.

Most of the book is taken up with poor, misunderstood Amy storming off into her room; her tragic misery so awful that all about her must tiptoe about, making special concessions.

It might be because I have teenagers of my own, and have been on the end of a lot of teenage storming, but I did not react at all well to Amy's massive self-indulgence. Yes, she's a teenager and it's what they do (oh, how I know it is what they do), and she has just lost her mother, but it's the way the author seems to tiptoe around the character as well, pointing out others' insensitivity to poor Amy. The others; her grandfather, and her sister Lou, and stablehand Ty, are running Heartland, while Amy locks herself in her room because NO ONE UNDERSTANDS HER AND HER TERRIBLE GRIEF. Of course they don't. You're a teenager. You're sitting there while everyone else is trying to keep the ship afloat and you are castigating them for being so utterly heartless as to keep the horses you are supposed to love going.

The frightful Amy does, at long last, see that she is being unreasonable (and all credit to her creators, I suppose, for making a character that certainly stirred me to depths of emotion I haven't felt for a character in a while).  Oh, how I felt for poor Lou, Amy’s sister. She leaves her Manhattan life to come and look after her sister and try and organise the administrative chaos of Heartland, and does she get any credit for it? She does not. The worst scene happens when Lou finally cracks, and says what I have been muttering under my breath for pages:  “"The only person you think about is poor Amy Fleming...”

So, I have very mixed feelings about Heartland. I don't like the idea that they're written to a formula, but they are; and they are generally well done. Although formulaic books, the authors take the conventions and twisted them: a less well thought out book would have had Amy being the Shetland's saviour, not big bad grown up Lou.

I like the emphasis on reading what horses are saying to you; and the advice is generally sensible, with the vet being constantly on call rather than an afterthought after the full ranks of the alternative medicine chest have been tried.

The one thing though, that I would absolutely love to know, is Amy's secret of time management. She manages, in the succeeding books, to go to school, re-hab horses and help run a business, have a relationship and see her friends. Now if the authors could get the secret of that one down in print they really would have a best seller.
 

 

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Lauren Brooke is a publisher’s construct.  The books are actually written by a team of three authors:  Linda Chapman, Gill Harvey and Elisabeth Faith.  “Lauren Brooke” has produced two series:  Heartland, about an American horse sanctuary run by teenager Amy Fleming, her grandfather, sister and boyfriend.  Having seen Amy into vet school, the team are now producing a new series:  Chestnut Hill.  This is set in an incredibly well equipped American boarding school, where riding is very much on the curriculum.  

 

Both series are extremely popular with their target market.

Lauren Brooke’s site

A Lauren Brooke fansite

An interview with “Lauren Brooke” (don’t think it was face to face...)  Part 2 of the interview