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Ponies, ponies, ponies

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BRITISH PONY BOOKS HOME

GOLDEN GORSE
BIBLIOGRAPHY
Moorland Mousie
Country Life, 1929, illus Lionel Edwards (1st edn left)
Reprinted many times: popular edition 1931,
Others 1941 and 1958 (1958 edn right)
The Moorland Mousie Trust, 2011 - hardback reissue

Moorland Mousie is an Exmoor pony, and this is his story.  
Older Mousie
Country Life, 1932, Lionel Edwards

Continues Mousie’s story.
Mary in the Country
Country Life, 1955, illus E H Shepard

“Mary goes to live in the country with her parents. Her pet cat goes with her and soon she acquires a dog of her own
and learns to ride on her aunt's donkey. By the end of a year the little town girl has learnt a great deal about life in
the country. And the young reader of the book will pick up valuable hints too - about such things as the training of
animals, the preparation of a garden and the growing of flowers. For. although she is primarily concerned in telling
a good story, "Golden Gorse" mixes in much useful and interesting information about country matters, as she did
in the 'Mousie' books.


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NON FICTION
The Young Rider: Ponies for Health and Pleasure
Country Life, 1928
Janet and Felicity, The Young Horsebreakers
Country Life, 1937, illus Anne Bullen
Reprinted and extended 1946 as
The Young Horsebreakers

Janet and her cousin Felicity learned to ride in Eastbourne, and they think there’s not
a lot more they need to learn about riding.  Then they go to stay with Aunt Rose on
Exmoor, and there are two Exmoors, Brownie and Mayfly, for them to ride on a nearby
farm. It does not go well, and the girls realise how little they know.  Then Uncle Tom
comes to stay, and he helps the girls school the half-broken ponies.
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Lionel Edwards’ copyright
holders do not allow reproduction of his pictures on the net, so apologies for the lack.

Lionel Edwards’ copyright
holders do not allow reproduction of his pictures on the net, so apologies for the lack.

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The Young Rider’s Picture Book
Country Life, 1936
The photograph in this section, and that at the head of the article, are taken from The Young Rider’s Picture Book, and are of Moorland Mousie himself.  To the right he is pictured as a youngster, and above, in his prime.
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Some fifty years after the publication of Black Beauty, Golden Gorse (Muriel Wace,wp1ac32c44_0f.jpg 1881 -1968) wrote what is probably one of the classics of pony autobiography, Moorland Mousie (Country Life, 1929).  She followed it with Older Mousie, two further pony stories, and two instructional riding books for children.  Moorland Mousie  is one of those pony books remembered with enormous affection by many, so much so that it was reissued by the Moorland Mousie Trust in 2011.

 

The book’s author, Muriel Wace, was the youngest of five sisters.  After the children’s mother died, Ashley Maude, their father, could not settle. He and the children moved house often; the girls had 14 governesses. He bought the girls two unbroken Welsh ponies, one of which was sold as it was too wild. Bearing in mind what the remaining pony got up to, one can only wonder what too wild constituted. Ashley Maude broke that pony in – partially.  He became bored at the long reining stage and handed it over to the girls and told them to ride it. They tried. The pony scraped them off on whatever was handy; branches; park railings. Eventually papa, having rebuked the girls for their inefficiencies, got up himself. The pony duly deposited him. It was sold.

 

These formative experiences presumably stayed with Muriel. After her husband, the Revd. Henry Wace, retired as bursar of Brasenose College, the couple moved to Crowcombe, near Taunton, where Muriel Wace’s interest in the Exmoor Pony began.  Her later book The Young Rider’s Picture Book describes the process of schooling the two Exmoor ponies on whom the heroes of Moorland Mousie were based.  Her early experience with the wicked Welsh pony made an impact:  Wace continually stressed in her writings the importance of a well-schooled pony.  “…if a pony is well-broken he will be without tricks of any kind.”  

 

Moorland Mousie has a maturity and subtlety of viewpoint many pony autobiographies lack, though it was still as much a morality tale as its predecessor, Black Beauty.  Moorland Mousie is an Exmoor pony, born on Exmoor.  He spends his earliest years on the moor with his mother, aunt and cousin, Twinkle, until the ponies are rounded up and Mousie and Twinkle are sold to a Colonel Coke and his daughter Patience. After numerous equine sins, Mousie is sold, and his descent begins.

 

The book’s illustrations complement the mood of the book brilliantly; though no Exmoor fan would claim that Lionel Edwards’ Exmoor ponies are what they should be. Be that as it may, the book and its illustrations succeeded in creating a believable picture of a pony; still loved today.

 

Finding the books:  all of her titles are reasonably plentiful, but not necessarily bargain basement cheap. Moorland Mousie is expensive as a first with dustjacket; reprints have become more expensive over the years, but are not yet horribly expensive.  Firsts of all the fiction titles with dustjackets are becoming more expensive.

 

Links and sources:

Clarissa Cridland
In Search of “Golden Gorse” – Gordon Winter, Riding Annual 1980 (IPC Magazines, 1979)

 

This is the website of the Exmoor Pony Centre, and the Moorland Mousie Trust.  The Trust works to ensure the survival of the Exmoor Pony, which is threatened as many youngsters, particularly colts, are not sold.  These foals are taken on by the Trust, the initial handling done, and the foals then placed in permanent or foster homes until they are old enough to be backed.  The Exmoor Pony Centre gives people the chance to see, and to ride Exmoor ponies.  I had always thought I was too hefty, post children, to ride an Exmoor but I see that there is a weight limit of 12 stone to ride out on the Exmoors.  The only problem would be where to put my legs.

 

SHORT STORIES

 

Rosalind’s Saddle

Riding Magazine, October, 1936, illus Gilbert Holiday

 

The Young Pony

Riding Magazine, November 1936, illus Humphrey Dixon

 

Peter and His Pony See a Ghost

Riding Magazine, December 1936, illus Humphrey Dixon

 

The Young Horse-breakers

Riding Magazine, January - December 1937, serialised version of the book The Young Horse-breakers. Illus Anne Bullen