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Jane Badger Books
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Mary Gernat

Mary Gernat was probably one of the most prolific cover artists of the 1960s, and her sketchy, energetic style is probably familiar to nearlywp743506b5_0f.jpg every child who bought a paperback book in the 1960s.  The range of titles she provided covers for was wide:  from Enid Blyton’s St Clare’s, Mallory Towers and  The Mystery of... series through countryside stories like Monica Edwards to Malcolm Saville’s adventures.  It’s probably fair to say she is better known as a cover artist than as an illustrator, although she did illustrate many children’s books:  as illustrator of Sheila McCullagh’s Pirate and other early reader series, her illustrations were probably an intrinsic part of many children’s early reading efforts.

 

She had a very distinctive, sketchy style, which was well suited to situations full of action. I am particularly fond of her cover for the 1960s Armada printing of I Carried The Horn,  which I think wonderfully captures the awful tension of the moment.  Mary Gernat was good at capturing that moment, if not always so good at anatomical accuracy!

 

So far, my search for biographical information on Mary Gernat has been pretty unproductive.  She was presumably employed by Collins/Armada as a house artist, as she did many, many paperback covers for them, as well as for the Atlantic Publishing Co (Dragon) in the 1960s.  I can find no books illustrated by her after 1969, so assume she either retired or died then.  

 

Tracking down bibliographical information hasn’t been straightforward either:  the fact she produced covers rather than internal illustrations means it is particularly difficult to track down exactly what she did, as for many books Armada and Dragon tended to keep the original internal illustrations, and it’s the internal illustrator who tends to be listed at the copyright libraries, and rarely a separate cover artist.

 

Her covers are often confused with those of Peter Archer, another staff artist for Collins/Armada, so it’s worth checking if it’s important to you who did what.  The two styles are quite similar, and the cover artist is not always credited, or even, in the case of Monica Edwards’ Cargo of Horses, credited to the wrong artist:  although the artist credit is Peter Archer, the style looks much more like Mary Gernat.  Tracking titles down then can sometimes be a case of simply following your instincts.

 

BIBLIOGRAPHY

Pony Books - covers and/or internal illustrations

 

Diana Pullein-Thompson: Janet Must Ride (all illustrations)

Collins, London, 1953

 

Dorian Williams:  Wendy Wins a Pony (all illustrations)

Burke, London, 1961

 

Monica Edwards: The Outsider, 1962 (cover)

Armada, London, 1962
 

Christine Pulleiln-Thompson: Riders From Afar (cover)
Armada, London, 1962

 

Ruby Ferguson:  A Stable for Jill (cover)

Armada, London, 1963

 

Monica Edwards:  Wish for a Pony (cover)

Armada, London, 1963

 

Monica Edwards:  Summer of the Great Secret (cover)

Armada, London, 1963

 

Ruby Ferguson:  Jill Has Two Ponies (cover)
Armada, London, 1963

 

Diana Pullein-Thompson:  Riding with the Lyntons (cover)

Armada, Lonodn, 1963

 

Monica Edwards: The Spirit of Punchbowl Farm (cover)

Burke, London, 1963

 

Josephine Pullein-Thompson :  I Had Two Ponies (cover)

Armada, London, 1963

 

Josephine Pullein-Thompson:  All Change (cover)
Armada, London, 1963

 

Monica Edwards:  Black Hunting Whip (cover)

Armada, London, 1964

 

Christine Pullein Thompson:  We Hunted Hounds (cover)
Armada, 1964


Christine Pullein-Thompson: I Carried the Horn  (cover)
Armada, 1964

 

Christine Pullein-Thompson:  Goodbye to Hounds  (cover)
Armada, London, 1964

 

Christine Pullein-Thompson: Stolen Ponies (cover)
Armada, London, 1965

 

Monica Edwards: No Mistaking Corker (cover)

Armada, London 1965

 

Monica Edwards: Cargo of Horses (cover)

Armada, London 1965

 

Monica Edwards: Frenchman’s Secret (cover)

Armada, London 1965
 

Monica Edwards: Punchbowl Harvest (cover)

Armada, London, 1966

 

Monica Edwards: Dolphin Summer (cover)

Armada, London, 1966

 

Christine Pullein-Thompson:  A Day to Go Hunting (cover)
Armada, London, 1967

 

Monica Edwards: Fire in the Punchbowl (cover)

Armada, London, 1967

 

Christine Pullein-Thompson:  Ride by  Night (cover)
Armada, London, 1967

 

Christine Pullein-Thompson:  The First Rosette (cover)
Dragon, 1967

 

Christine Pullein-Thompson:  The Second Mount (cover)

Dragon, 1967

 

Christine Pullein-Thompson:  Three to Ride (cover)

Dragon, 1967

 

Christine Pullein-Thompson:  The Empty Field (cover)
Dragon, 1967

 

Christine Pullein-Thompson:  The Open Gate (cover)
Dragon, 1967

 

Christine Pullein-Thompson:  The Pony Dopers (cover)
Dragon, 1967

 

Gillian Baxter:  Jump to the Stars (cover)
Dragon, London, 1967

 

Gillian Baxter:  Tan and Tarmac (cover)
Dragon, London, 1967

 

Gillian Baxter:  The Difficult Summer (cover)
Dragon, London, 1967

 

Gillian Baxter:  Ribbons and Rings (cover)
Dragon, London, 1967

 

Gillian Baxter:  Horses in the Glen (cover)
Dragon, London, 1967

 

Gillian Baxter:  The Perfect Horse (cover)
Dragon, London, 1967


Pat Smythe: Three Jays Lend a Hand (cover)

Armada, London, 1967

 

Monica Edwards: The Wanderer (cover)

Armada, London, 1968

 

Pat Smythe: Jacqueline Rides for a Fall (cover)
Armada, London,1968

 

Pat Smythe:  Three Jays Go to Rome (cover)
Armada, London, 1968

 

Pat Smythe:  Three Jays Over the Border (cover)
Armada, London, 1968

 

Pat Smythe:  Three Jays on Holiday (cover)
Armada, London, 1968?

 

Pat Smythe:  Three Jays Against the Clock (cover)
Armada, London, 1968?

 

Diana Pullein-Thompson:  Horses at Home/Friends Must Part (cover)
Armada, London, 1969

 

Primrose Cumming:  Penny and Pegasus (all illustrations)
Dent, London, 1969

 

 

 

 

 

 

 

 

 

 

 

 

 

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